The artist shifted into this lively location and having first ever — to reside in an old part of city in her long time stay in Europe. This reminds her of previous residences back in Lahore, while it resembles a lot in appearance and character. Residing on first floor provided a watch over character onto street, likewise, House No.1.

The interior is partially authentic and refurbished, but it still holds a nostalgia of antiquity. With wooden floor and high ceilings the cracking sound of floors which makes it a tangible contact with floor. From inside all apartments are connected to each other through a light shaft. Likewise, in House No,1 and 2, here exists also an element of connectivity in them.

The colour of the facade is another reflection of previous houses in homeland. That same soft yellow tone on facade and intricate moldings remind the artist of Misrishah residences on architectural level.

The layout of these apartments represent another similar scenario on social and urban levels. Commercial zones on ground floor and residences on upper floors is another coherent factor of binding it with previous settlements. Its busy and dense life on the streets have strong similarity with earlier character of the places.

Here too, kiosks and utility shops are eminent features of daily lives on social level. This is depicted through knitted logos of various shops.

Artist's regular visit to coffee shops and consumption of coffee and freshly baked items are depicted in those knitted coffee cup and croissant.

Similarly, in House No.1 and 2 street benches play a strong urban feature, which is here represented in a knitted — with one of an engraved deported long time resident Jew during Nazis period. It urges one to transcript one's own past and make it tangible while stepping on it each time and walking on these pavements on regular basis. Last but not the least, that cherry tree at front reminds the artist of her Guava tree back in House No.3. which is the only botanical feature on the whole street.